Saleem Review ,Story Line 0

Film: Saleem

Banner: Lakshmi Prasanna Pictures
Cast: Vishnu, Ileana, Mohan Babu, Kaveri Jha, Jaya Prakash Reddy, Tanikella Bharani, Hema, MS Narayana, Ali, Raghubabu, Venkat etc
Music: Sandeep Chowta
Art: Anand Sai
Fights: Vijay, Kanal Kannan
Camera: Ram Prasad
Production: Padmasri Mohan Babu
Story, Screenplay Direction: YVS Choudary
Release Date: 12th Dec 2009

Manchu Vishnu’s ‘Saleem’ released today after a long wait. Ileana, the heroine in demand paired up with him. Mohan Babu also played a key role in the film and that attracted the audiences, obviously. Walk into the details to know more…

Essence:
The movie starts with Satyawati (Ileana) and her story in a village backdrop. She is the daughter of Singamanaidu (Napolean), a respectable villager. She comes to the village for a brief vacation and lives amidst all lovable relatives recalling the movies Murari, Athadu, Ninne Pelladatha etc etc (sorry for taking the comparison. This film has no glory close to an iota of those master pieces)!! Like in many other films the hero (Vishnu with character name Munna) arrives in that village and stays along with the family in the disguise of orphan. The story runs with insipid dialogues, stupid screenplay and energy less narration till the interval. And the interval bang has got a twist that rotates the heads of audiences to 360 degrees. I cannot reveal that here as that is the only ‘suspense factor’ in it. And the post interval period is another hard nut to bite. Mohan Babu plays the mafia don OJO (an acronym for Ogirala Joginatham) and he has a duet with Kaveri Jha. The twist in the interval narrates rest of the story line with all confusion and cacophony. Who is Saleem is another part of the story that unwraps in second half. What happened for about 150 minutes will be in question mark at the conclusion of the movie.

Artistes:
Mohan Babu wouldn’t have played this role OJO at all. He has shown a teacher as source of eroticism. The artiste of his age shouldn’t have encouraged the director to demean a female teacher that way. It’s a head-down for entire female teacher community. I feel the teachers in Mohan Babu’s school ‘Sree Vidya Niketan’ would keep their heads down if they identify themselves in Kaveri Jha’s character and their master Mohan Babu in the role he played.

Vishnu has picked up considerably. He is really looking smart with lean look. His face is also showing some glow and young charisma. Dances are also impressive. But he needs to do exercise in voice modulation. He should take a few leaves from his father’s experience for next film.

Ileana is restricted to enticing male crowds through songs. YVS Choudary seems to have crossed the caliber of K Raghavendra Rao in igniting screen to flame with female glamour. But Ileana’s over action while delivering some dialogues is horrible. Kaveri Jha is also used for the glamour factor. But her role is disgusting.

Ali looked promising when he entered the screen as choreographer Gafar Khan. But his rotten country comedy makes decent crowds inconvenient.

Technically the movie is good. The sound effects, action part and cinematography are dealt up to perfection. Music is below average. And the main spirit of the movie is missed by director with erratic screenplay and punch less dialogues.

Underlines:

* Poolu Gusagusaladenani, the old from 1973 ‘Sreevaru Mavaru’ is remixed here and canned on Mohan Babu and Kaveri Jha
* Ramya Sree, the actress known for playing vamp, servant maid and college lecturer in different films appeared in a serious deglamorised role in it!